[2016.03.12] Tom Hollingworth, for NARC Magazine.
Dawn Bothwell’s project Pentecostal Party is born of her interest “in the type of euphoric high you experience in groups of people worshiping together: an experience that is both solitary and collective.”
This tape-recorded version of Let’s Storm Heaven off-sets two layers; a creeping pulse established with a prominent hi-hat and light analogue synth on the surface, whilst the ear is more and more drawn to what lurks in the depths, the yearning and relentless army of voices plotting beneath.
Music can be loved for an infinite amount of reasons, but the behaviour that I find particularly special about Pentecostal Party’s music is the way it unlocks depths through deceptively simple, minimalist structure.
Small synth lines and repeated phrases map the contours of her songs, but as a listener you are compelled to imagine the terrain. The music’s majesty reveals itself like a magic-eye picture, or faces forming in tree-bark.